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Biography: For twenty years, Soleimani stopped playing the dotar. "One day", he explains, "as I was coming back from a wedding (after having been on pilgrimage to Mecca), a Sheikh (Mollah) told me that my musical instrument was damned and that I too was damned. So I threw my dotar in a corner and did not touch it until one day, another Sheikh reassured me that my music was a gift from heaven." In the course of his career, Soleimani has been invited to play at wedding ceremonies in the towns and villages of northern Khorasan. In his youth, he traveled to Syria, Mecca, and Turkey. Following the Iranian revolution, he has performed at concerts and festivals in Tehran. In 1990, he received the first prize for the "best and most authentic musician" at the Festival of Revolutionary Songs and Music. In 1991, he was invited to perform at the "Traditional Persian Music and Theater" at the Avignon Festival in France. His art was thus discovered by a bedazzled western audience. The press lauded him as "a true national treasure". The famous French cultural magazine Le Nouvel Observateur wrote: "His virtuosity and musicality are as natural as they are incredible". Following Avignon, Soleimani performed in Paris before an enchanted audience. The same year, he was invited to participate in the "Festival of Iranian Arts" in Dusseldorf, Germany. Available Works: |
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